The Salt Vault
Band histories, music business guides, and deep cuts from the Salt Lake City scene. The long-form archive. Where the record gets set straight.
History
ABG's Bar and Grill: The Other Provo Music Story
While the Velour launched Neon Trees and Imagine Dragons, ABG's kept a blues and roots underground alive that Utah County never talked about.
The Provo music story most people know is the Velour — Corey Fox, Neon Trees, Imagine Dragons, "Provocore Indie." ABG's Bar and Grill was operating six years before the Velour existed, booking the underground that didn't fit the all-ages, smoke-free mold.
Iceburn: The Band That Built Kilby Court
In 1991, Gentry Densley emerged from two SLC hardcore bands and started something nobody could name. Eight years later, he walked into a garage on a dead-end street and gave it a name that stuck.
In 1991, Gentry Densley emerged from two SLC hardcore bands and built something nobody could name. Twenty-eight years later, every act that plays Kilby Court owes him a debt they probably don't know they owe.
Area 51: Salt Lake City's Underground Sanctuary
Two floors at 451 S. 400 West. Industrial, EBM, and darkwave nights built under Utah's private-club laws — and the community that outlived them.
Before Utah changed its liquor laws in 2009, every bar in the state was technically a "private club for members." Most venues treated it as a bureaucratic inconvenience. Area 51 made it a philosophy — and built the room SLC's goth, industrial, and dark-alternative underground had nowhere else to go.
How a Brown Bag Built Salt Lake Punk
Speedway Cafe (1984-1990), the paperwork loophole that kept it all-ages, and the template every independent SLC venue still runs.
Strict Utah liquor laws were supposed to keep the underground down. Instead, they built it a home. In 1984, Paul Maritsas and Zay Speed found the loophole that made Salt Lake punk possible — and proved out the all-ages DIY template every independent venue in the city still runs.
Before They Were Famous: The Bands Kilby Court Broke
The Brobecks, Imagine Dragons, Neon Trees, Death Cab, Phoebe Bridgers, Mitski. All played the 200-cap garage before the world knew their names.
In 2003 The Brobecks played their first show at Kilby Court for friends and family. By the fourth, they sold it out. The same 200-cap garage launched Imagine Dragons, Neon Trees, and hosted Death Cab, Phoebe Bridgers, Mitski, and Mac Miller before the world caught on.
The First Kilby Block Party
May 11, 2019. One block of 700 South. Death Cab for Cutie headlining the venue where they played their first show.
How Will Sartain and Lance Saunders threw a 20th birthday party for a garage venue and accidentally built a destination festival that now draws 25,000 people a day.
The Keys to Kilby: How S&S Presents Turned a Garage Into an Empire
January 1, 2008. Will Sartain got the keys at 23. Within months, S&S had taken over Urban Lounge, launched Kilby Records, and lifted the ban on punk and metal.
Phil Sherburne handed the keys to Kilby Court to Will Sartain and Lance Saunders on January 1, 2008. They bought it because they "did not want the demise of Kilby on our hands." Same day, they launched Kilby Records. That scrappy operation now produces over 1,000 concerts a year.
The Poster Art That Kept Kilby Alive
Leia Bell, gigposters.com, and the screen-printed fliers that paid the rent when ticket sales couldn't.
Kilby Court couldn't survive on ticket sales alone. As an all-ages venue with no liquor license, the math never quite worked — until Leia Bell started making posters. Sherburne said it himself: "Her posters made way more than the shows did."
Kilby Court: The Accidental Venue That Built a Scene
A carpenter, an abandoned garage, and a band called Iceburn. How a 200-cap room on a dead-end alley became the origin point for Utah music.
In 1999, a Salt Lake City carpenter named Phil Sherburne secured an abandoned garage next to his woodshop. The Moroccan had just closed. He started letting bands play. Twenty-five years later, the room had launched Death Cab, Phoebe Bridgers, Imagine Dragons, and the Kilby Block Party.
Urban Lounge: The Room Where SLC Grew Up
400 capacity, standing room, the middle rung of Salt Lake City's music ladder. Every serious band wants to play it. Here's why.
Before Tame Impala played arenas, they played Urban Lounge. Before Glass Animals sold out Red Rocks, they played Urban Lounge. The room at 241 South 500 East has been running the same play since 2001 — and S&S Presents made it the middle rung of SLC's music ladder.
International Women in Music Day: The March 28 Showcase
Leatherheads, Draper, UT — Angela H. Brown inducted. Three bands. One night.
The first Rock Salt Spring Showcase was built around a single idea: put the women of the SLC music scene on the record. Here is what happened on March 28, 2026.
The Woman Who Wrote It All Down
Angela H. Brown and 25 years of keeping the receipts for SLC music
You played the show. She made sure it mattered. Angela H. Brown is the inaugural Rock Salt Hall of Fame inductee.
Women of the Wasatch
Sixty years of women building the Salt Lake City music scene
From The Clingers in the 1960s to Willöh winning Battle of the Bands in 2026, the women who built this scene deserve the record.
Band Business & Craft
Feral!Cat?Red! Opened BITCHFEST IV With An EP Debut And A Wall Of Haunting Noise
A three-piece with a brand-new record gets the opening slot of a Salt Lake festival and either sets the tone or gets steamrolled. They set the tone.
A three-piece SLC band opened BITCHFEST IV with the live debut of their EP. The detail nobody else caught was the vocal handoff. The detail nobody outside the merch table saw was the wall of sticky notes the audience left behind.
So You Started a Band. Now What?
Five things to do before your first gig that your future self will thank you for
You have a name. You have a rehearsal space. You have too many opinions about the setlist. Here are the five things every new band should do before they play their first paid show.
What's a Guarantee and Why You Deserve One
The actual math behind guarantees, door splits, and merch commissions, and how to pick your number
A guarantee isn't a diva demand. It's the minimum amount you get paid regardless of how many people show up. Here's how to pick yours, and why you're probably asking for too little.
How to Not Get Screwed by a Venue
The five most common bad deals, the math behind each one, and when to walk away
Most bad deals don't look bad. They look exciting. They use words like "exposure" and "partnership." Here's how to spot them before you say yes.